• Archive for the ‘Web 2.0’ Category

    Episode 4 Production Notes

    Wednesday, February 18th, 2009

    The idea for the music video involved going down to Brighton Beach and just wandering around, seeing what would happen. Yes, I know the featured song is in Hungarian and Brighton Beach is a Russian neighborhood, but you work with what you have.

    At one point I was standing in front of a store pretending to read some Russian tabloid when a man sweating vodka approached. “Do you speak Russian?” he asked.
    “No.”
    “Then what the FUCK are you DOING here?”
    Soon we became chummy and he introduced himself as Igor. I joined him on some kind of quest to find a bootleg DVD about Chechnya.
    He found it, then we hugged tenderly and parted ways.

    As for the bar scene… Duff’s was kind enough to let me shoot there on a Sunday afternoon. However, there was a very noisy refrigeration unit which screwed up all dialogue near the bar. I had to use SoundSoap to get rid of the background noise, but it couldn’t fully do it and the vocals sounded tinny. Still, SoundSoap is the best option for noise removal I have used.

    Another problem. Despite the two lights I had, all of my shots were really dark. I spent a couple hours fooling around with the video filters in Final Cut Pro with no luck. Brightness, contrast all of it just made things more terrible.

    But eventually I stumbled upon a magical solution. Go to Video Filters, then Image Control, then drag over the Levels filter onto your clip. All I did was turn the Gamma setting down to about 0.84 or 0.79 and it made the scene brighter without any loss of contrast, tint or any such side effects.

    Danger Tally:

    5. Seriously bruised from doing that fall from the bar over and over again.

    6. Sore throat for the next day or two. Amy Van Doran was really choking me in the those scenes. She later told me that in the heat of the moment (Asia!), she channeled all of her frustration with men onto my poor neck.

    Compressing for YouTube

    Wednesday, February 4th, 2009

    Does anyone know how to properly compress video for YouTube? I have tried so many different ways, high quality, iPod quality, tweaking all kinds of settings.

    The videos look fine after compression, but once they are uploaded onto YouTube they look like a gorilla vomited on Jesus.

    Ken Stone’s advice about using Compressor looked to be the best, but I tried it and still came up with the same worn down pixely sucktastic videos.

    The Webby Awards… Seriously guys?

    Tuesday, February 3rd, 2009

    When I finished editing the bulk of Season One, I considered entering the show to be in the running for a Webby Award. I was unsure about my chances, considering how there’s a lot of great stuff out there with bigger budgets and better production values. My favorite webisode series, You Suck At Photoshop, took home at least two Webbys in 2008.

    I went to the site and discovered that it costs$225 to put a show in the running. I thought I was seeing things. Seriously? That was almost half my budget for the entire first season.

    Does not Web 2.0 pride itself on its open access, egalitarian nature? And are we not a generation of people told we could do or be whatever we wanted, only to find out that this was only true when we weren’t at our day jobs?

    Okay, David Bowie is involved with the organization that runs the Awards, so I’m going to give them the benefit of the doubt. In my book, you write an album like Hunky Dory, you get a free pass. For murder or whatever debauchery floats your boat. But still. $225?

    I think a better bet would be to enter the Streamy Awards next year.

    Tubefilter Story on Polyester Dreams

    Tuesday, January 27th, 2009

    TubefilterThe Radio Star Lives On In ‘Polyester Dreams’

    by John Manalang on January 26th, 2009

    Selected Excerpts:
    “The Buggles proclaimed that video has killed the radio star, but rock DJ Warren Orlando has already cheated death, thanks to Andrew Harrison, star and creator of the new web series Polyester Dreams. The indie comedy series tracks the trials and tribulations of Warren Orlando, a prog rock DJ at radio station WXLA, who follows the rock and roll creed of self-loathing and manic depression in his own way. His misfortunes in life, from his Academy Award winning ex-girlfriend humiliating him in the media to reading half-assed commercial bits, are interwoven with homemade music videos, playing ‘forgotten’ songs mainly from the 60s and 70s.”

    “If Californication’s Hank Moody were ever a disc jockey in his life, Orlando would fit that profile smoothly like a vinyl spinning on an old record player. ‘Warren is extremely bitter that his radio career never really got anywhere,’ said Harrison. ‘He is the type that wanted to make a name for himself, and when he realizes he didn’t, he’s content to destroy everything. And just be a total dick in the process. And I guess this is funny to me. To watch a guy just suffer through the indignities of life and rail against it the best he can.’”

    Polyester Dreams Press Release

    Thursday, January 22nd, 2009

    “POLYESTER DREAMS”, SELF-PRODUCED WEB SITCOM ABOUT A MANIC-DEPRESSIVE RETRO RADIO DJ, LAUNCHES ITS FIRST SEASON

    Brooklyn, New York January 2009- “Polyester Dreams”, a webisode series that promotes obscure psych, prog and glam rock songs from the 60s and 70s, launches this week. Available on www.polyesterdreams.com and iTunes, the first season will consist of 8 episodes, each under six minutes. The site also offers short “Progcasts” recommending early 70s music in the guise of a video advice column.

    Each episode features the comical tribulations of Warren Orlando, a manic-depressive prog rock DJ at the fictional radio station WXLA. The show interweaves the events of Warren’s downward spiraling life with homemade music videos for the forgotten songs he plays on his show. The season features Warren being burdened by many strange occurrences, from his ex-girlfriend winning an Oscar and disparaging him in the press to the menacing threats of a Brazilian death metal band in search of fame and holy relics. One episode takes place entirely within an abandoned religious theme park.

    Creator Andrew Harrison has hosted the psychedelic radio show “Plastic Tales from the Marshmallow Dimension” and the webisode series “Street Talk with Andrew Harrison” on TheStreet.com. Harrison explains, “I wanted to raise awareness of the music I played on my radio show, and I figured the best way to do that was a comedy show about an embittered problem drinker unhealthily obsessed with the past.” With $600 from his Economic Stimulus check, he gathered a collection of misfits together to produce the first season.

    “Polyester Dreams” cast members include Dallas Coyle from the metal band God Forbid; Satu Rautaharju, a candidate for the Wonder Woman role who has appeared in such shows as “Flight of the Conchords” and “Life on Mars”; Angelica Insectavora, renowned performer with the Coney Island Sideshow and Ripley’s Believe It Or Not; and Rob Lathan, an improv comedian who has performed with the Upright Citizens Brigade, Improv Everywhere, and has appeared on such shows as “The Colbert Report” and “Late Night with Conan O’Brien.”

    For more information:
    Contact Andrew Harrison
    warrenorlando@polyesterdreams.com

    It begins…

    Sunday, January 4th, 2009

    The point of this blog is mainly to have a feed for the video content that gets released. But I’m also going to talk about music, video production, Web 2.0, the chupacabra, all that good stuff.

    Eventually this whole site will evolve into a series of animal shaped robots that fit together into one giant robot who will turn out to be a real downer. At that point I’ll probably rename the whole thing Radio 2.0: Ninja Storm or something just as inane, babbling incoherently about media convergence and mobisodes while grisly ghouls from every tomb are closing in to seal my doom.

    I started doing this show without knowing where it was going. This is because I knew that if I spent too much time planning it, it would never get done. The production quality is nowhere near where I would like it to be. All of the equipment was borrowed and it was crewed by whichever friends of mine were free. The budget ($500) was spent mainly on the rental car to get to Episode 5’s location, and on keeping cast and crew fed and moderately drunk. We got better and quicker as we went along, and midway through the season an arc begins to take shape.

    So here’s the trailer: