Helmed by the mysterious blonde siren Jinx Dawson, Coven released their first album in 1969 entitled Witchcraft Destroys Minds and Reaps Souls, which sounded much like a satanic version of Jefferson Airplane.

The album contains a full length “satanic mass” and some gems such as “White Witch of Rose Hall” and “Dignitaries of Hell,” which accurately details many of the prominent demons of the infernal regions and their respective ranks and habits (as referenced in Colin de Plancy’s Dictionnaire Infernal).
Though not incredibly popular, Coven was encircled with controversy. When they performed in their hometown of Chicago, police had a mandate forbidding the band to speak in between songs, for fear that they would invoke their dark master, I suppose. All of this came to a head when the Manson murders cast aspersions onto the occult subculture and Coven was released from their recording contract.
Coven re-emerged in 1972 with a self-titled album consisting of a very different sound. Reflective of the general evolution of rock in the 70s, Coven had moved towards a more emotional, riff-heavy sound akin to a fusion of Carly Simon and Heart. In 1974, Coven reached the pinnacle of their achievements with Blood on the Snow, one of my all-time favorite albums.
It is important to remember that Coven is almost definitely the first band to throw up the horns onstage, starting in 1969. Though Gene Simmons and Ronnie James Dio both try to stake that claim, the photos do not lie:
Coven is still around today, and Jinx looks unnaturally young. Hmm… You can visit her personal MySpace page as well as buy Coven albums and merch via their CafePress store. I’ve interviewed Coven on the radio twice, and you can access the archives here:
Plastic Tales: Interview with Coven 08/18/08
Plastic Tales: Interview with Jinx Dawson 02/11/08